Sixteen masterful mixes of musical ingenuity performed by an artist at the peak pinnacle of perfection. It's a treat to not only get to review Snooks; it's always a treat to listen to him. Eaglin plays a guitar like that dude Michelangelo paints a ceiling. The word versatile comes to mind first, although saying that the man is versatile on the ax is an understatement. He's legendary. But don't take my measly word for it. Check out the powerful magic showcased on tracks like the Professor Longhair tune "Red Beans" or the Smiley Lewis tune "Little Mae." It's class.

Eaglin earned the distinction in certain hallowed circles of being the quote, unquote Crescent City Guitar Master. I think this collection more than puts points to that argument. Eaglin is an accomplished artist with a skill and distinction most blues guys try to fake and fail at. It comes naturally from him. Eaglin has been blind since he was an infant, not unlike Ray Charles. He even billed himself locally as "Li'l Ray Charles" for a time. Of course, Ray Charles was all about the piano. Eaglin is squarely all about the guitar. Check out the groove and energy he throws into "Soul Train." It's a great solo and really holds your attention.

For my money, what little I have these days, "Mailman Blues" is the track that I walk away from this CD cherishing for all eternity. Okay, maybe not all eternity. That's a bit much even for me. But I guarantee I will cherish it for the next three years at least. This track is everything I love about Snooks all wrapped up in a tight little jump blues package and sealed with an electrifying, tone sweet solo that will leave you waiting for more. It's an elegant number that really drives home just how special Snooks Eaglin really is. I could wax on, but you get the notion. Pick up the Crescent City Collection and get acquainted.
- Bill Snooks Fountain

October 2002 Southwest Blues