

Bernard Allison
Times Are Changing
(Ruf Records 51416 1415 2)
This CD release by the son of the late,
great Luther Allison is an experience similar to taking the wife to a jewelry store; there
are so many gems to chose from, one can become overwhelmed. There are some tremendous
tracks on this album, running the gambit from high energy, soul infused shuffles to the
low down, and ruminating slide blues. This is a strong showcase for one of the best up and
coming blues performers around.
One of the best qualities of Bernard's compositions is his perception and awareness; he
tailors his songs to his strengths as an artist. He is keenly attuned to spotlighting
those elements that make his sound truly remarkable. No where is that point more obvious
than in tracks like "New Girl in Town," or the Sly Stone tune "If You Want
Me To Stay." Many artists fall into that terrible trap of overkill, but Allison seems
to have found that elusive balance between the fresh, alive feeling and the smooth, laid
back studio mix. Bernard walks the tight rope with ease and pushes the best of both worlds
here.
If you are hungry for good music, this is the mother of big buffets. Listen to
"Don't Be Confused," the beautiful acoustic number dedicated to his father.
Allison's incredibly subtle work on this track is captivating. He tackles one of his
father's memorable tunes, "Midnight Creeper." There's a slow jam love ballad,
"The Way Love Was Meant To Be," if you are of a mind to set the mood. There's
some unassailable funk in the Rush tune "In The Morning." Bernard is as
inventive a songwriter as he is a performer and the proof is in the pudding.
When Bernard Allison plays live, there is little doubt of his formidable talents. Often
times with other artists, great abilities don't always translate into a great CD. I'm
happy to report that this release does justice to the fire and energy that make Allison a
showstopper and if you don't get a chance to see him live, this is the next best thing.
- Bill Fountain -
Southwest Blues CD Review - March 1999
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