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© Bluestronomical Publishing Inc. 1998



B.B. King
Blues on the Bayou
MCA,(MCAD-11879)

Let's get straight to the point. This is the best album B.B. King has recorded in 25 years or more, it is one of the best new blues albums of 1998, and is an essential purchase for anyone even moderately interested in blues. The reasons for this success are simple. There is no outside producer, arranger, or record company bean counter telling B.B. how to make this into a hit. There are no special guests. For the first time in his career, B.B. was completely in charge of his own recording session. He used his own road band and recorded live with no overdubs in a Louisiana studio (hence "the Bayou"). To say it works would be the epitome of understatement. What we get is the pure sound of B.B. King, undiluted, unsweetened, and as real as it gets. The CD starts off with one of the most beautiful slow blues instrumentals you will ever hear, "Blues Boys Tune." B.B. has been featuring this song in his live show for several years but this is the first time it has been recorded. If anyone ever asks the definition of "feeling" in the blues, that song could be answer. "I'll Survive" is B.B.'s personal favorite on the disc, a song he first recorded over 40 years ago, now with added personal meaning after his long career. "If That Ain't It, I Quit" is another nice instrumental, more uptempo, and you can almost imagine B.B. and "Lucille" up and dancing as this one was being played. A total of 15 tracks and a generous 64 minutes. Every track is a winner. Don't just go out and buy one of these for yourself. Buy a bunch of them and pass them out as Christmas presents to everyone you know. This is the way B.B. should be recording but only heavy sales will insure he'll be in charge of his next project. Otherwise look out for more dreaded "special guests" like Hanson and The Spice Girls!

- Don O. -


Southwest Blues CD Review - December 1998

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